Tag Archives: travel

Gotland Rocks 1: Fårö

[I’m back in the UK, but my mind is still on Gotland, a Swedish island in the Baltic]

According to the Guta Saga, the ancient tale of the origins of the place,

Gotland was first discovered by a man called Tjelvar.  Then, Gotland was so bewitched that it sank beneath the waves by day and rose again at night.  This man, however, was the first to bring fire to the island, and afterwards it never sank again.

As Gotland is a solid—if small—island, that’s some powerful bewitchery going on.  In fact, “Gotland” is not only the name of one island; it’s also the name of the whole province including a few smaller islands, only one of which is inhabited enough so’s you’d notice.  This is the first post of three or so that make up something of a photo safari through the remarkable stones—natural or erected—of the island of Gotland and of that smaller island, sometimes called its ‘sister island’, Fårö.

That's me in the purple parka, at Langhammers, on the northern tip of faro

That’s me in the purple parka, at Langhammers, on the northern tip of Fårö

The most famous of the stones of Fårö (pronounced something like FAW-roo) are the rauks (pronounced, um, pretty much like rocks) which were left behind on the west cost of the island when the glaciers of the last ice age retreated.

And that one's not by any means the only one; when you see a cluster of them, you can imagine folktales about trolls or giants very easily.

And that one’s not by any means the only one; when you see a cluster of them, you can imagine folktales about trolls or giants very easily.

Now, if these stones look familiar, it’s likely that you’ve been to a Bergman film; Ingmar Bergman lived on Fårö and used it as a backdrop more than once.  (Visitors can stop in at the Bergman Center to see exhibitions and learn more about Bergman and Fårö, though it was closed for renovation when I was there.)

Lighthouse on Faro

Lighthouse on Fårö

A Victorian-era lighthouse and…

This labrynth on Faro, half-covered by snow, could have been built last summer or centuries ago -- hard to say

This labrynth on Fårö, half-covered by snow, could have been built last summer or centuries ago — hard to say

an unexpected, unsignposted labrynth  rounded out the day on Fårö, where the most interesting stones were posed by nature; on Gotland itself, the stones arranged by humans were more interesting, starting with the Bronze Age, boat-shaped, burials.

Which I’ll tell you about in the next post (if the island I’m on doesn’t sink beneath the waves in the meantime).

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He’s Nailed It (or in Swedish: “Spikning”)

The cafe in the library at the Hogskola on Gotland

The cafe in the library at the Hogskola on Gotland

Visby (see previous post) is a summer town, where most visitors go to enjoy the beach.  Sure, the medieval walls and the museums are there year-round, but some tours and other visitor services only run mid-June to mid-August.  So why would I go there in an unseasonably frigid April?  To watch my husband, Ernest Adams, take part in a strange European ceremony left over from the Middle Ages.

And on the other side of the room is the plank for spikning; this photo shows publications in place before Ernest's was added

And on the other side of the room is the plank for spikning; this photo shows publications in place before Ernest’s was added

But first, you need a little paragraph of history to get the background:  The Protestants split off from the Catholic Church in the 16th century as the result of a movement called the Protestant Reformation, which was kicked off by a German monk called Martin Luther, who famously nailed 95 theses to the door of a church.  The biggest bee in Luther’s bonnet was about the selling of indulgences, that is, people paying money to the church for official documents saying that their sins would be forgiven.  Luther was appalled that the tremendously wealthy Pope Leo X would defraud people of money when surely only God could forgive sins (and without money changing hands, even if the church did need the money to repair St Peter’s Basilica), and Luther not only said so, he pretty much wrote down 95 reasons why and nailed them to the church door in Wittenberg, in Germany, in 1517.

Selecting a place for the nail (Stephen on the bench, Ernest standing by)

Selecting a place for the nail before the audience arrives (Prof. Stephen Batchelder on the bench, Ernest Adams kibbitzing from the floor)

Now, having learned about that years and years ago, I had always assumed this was a bit of seriously in-your-face vandalism in the cause of religious activism, and that nailing his opinions up on the church door was a slap in the face of the establishment, but I’ve recently learned that I’d gotten it absolutely wrong.  Nailing your thesis to the door—or to whatever other bit of architecture was traditional where you lived—was, back then, a valid means of scholarly publication.  You wrote your argument and nailed it up so people could take your paper down off the door, read it, and put it back for the next person to read.

Dr Ernest presents his doctoral work

Dr Ernest presents his doctoral work

And in some parts of Europe they continue the practice to this day, generally nailing up the theses (US: dissertations) of new PhDs. The author pounds in a nail and hangs the thesis on it by a loop of string, the idea being that the public can take down the document, read what someone has written, and then come to hear the author’s defense (aka their orals,  oral examination, or viva), prepared with questions to ask.  And that’s why I went to Visby: because my husband’s colleagues at the Hogskola på Gotland, a university where he’s a part-time lecturer, asked him to nail up his PhD thesis—something of an honour, since he earned his degree elsewhere.

Stephen makes a hole in Ernest's dissertation/thesis with an electric drill, after the speeches and before the nailing

Stephen makes a hole in Ernest’s dissertation/thesis with an electric drill, after the speeches and before the nailing

The spikning (nailing) ceremony didn’t actually involve a church door, or any door at all.  Spikning ceremonies at Gotland  use a plank of wood set into the wall of the library’s café.   And they haven’t been nailing theses on Gotland for very long; the Hogskola there is the youngest university in Sweden, although it’s merging this summer with the prestigious university in Uppsala (established 1477) where they’ve been nailing up papers for centuries.  Some new PhDs in Uppsala, it seems, use hand-forged iron spikes; my husband actually ordered some of these, but they didn’t arrive in time for him to use one. (So now we’ve got a couple of hand-forged iron spikes lying around.  Any ideas on what we could use them for?)

Ernest's hammers in the nail

Ernest hammers in the nail

At some Swedish institutions, your adviser signs off on your thesis by writing Må spikas—meaning “May be nailed”; at some, nailing up your thesis is a requirement for getting your degree.  Some require you to give a copy of the thesis to the university library as well, as that’s a bit more practical for readers, and some have gone over to what’s called e-spikning or e-nailing—posting theses on-line.  I rather like the sound of the Institute of Technology at Linköpings Universitet, where PhD candidates nail their theses to “the oak outside…building C”, which seems much more authentic than the bulletin boards and such that other places use.

Ernest and the Rektor

Ernest and the Rektor

The University of Gothenburg’s School of Global Studies advises students to “contact the reception for borrowing a drill, hammer, and nail.”  That would have been handy at Gotland, where staff made arrangements for the hammer and nail to show up at 2:00, but they didn’t arrive until 3:00, brought by a young woman in blue jeans, a striped T-shirt, and running shoes, whom Ernest thought at first was someone from the facilities staff.  She turned out to be Erika Sandström, Rektor of the university, that is, the head of the whole institution, what in the US we’d call the President and in the UK we’d call the Chancellor.   That mix of formality and informality is particularly Swedish, I’m told, and I rather like it; they seem to value substance over formalities.

Colleagues and game design students at the party

Colleagues and game design students at the party

At 3:00 the speeches started, with professor Stephen Batchelder introducing Ernest, and then turning the microphone over to Ernest to talk a little about what he’d written, after which Stephen drilled a hole through a copy of the thesis with an electric drill (whatever they used in the Middle Ages, it must have taken a lot longer).  Then we all trooped into the café where Ernest stood on a bench to reach the empty spot they’d chosen in advance (and into which they’d secretly drilled a pilot hole).  He pounded in the nail, hung up the thesis, got a bouquet and a gift (and a hug from the Rektor), after which we all had drinks and canapes.

The process works!  Just as we were leaving, I snapped this unknown woman taking down a thesis to have a look.

The process works! Just as we were leaving, I snapped this unknown woman taking down a thesis to have a look.

The punchline here is that Martin Luther probably didn’t nail his theses to the door of the church at Wittenberg, or at least that’s the most recent word from historians who’ve looked at the evidence.  That church burned down in 1760, but was rebuilt, and in the 19th century it was given new doors, with Luther’s 95 arguments inscribed in bronze.

In any case, now my husband is not just Ernest, but Dr Ernest; his dissertation/thesis—Resolutions to Some Problems in Interactive Storytelling—is the last student paper he’ll ever have to write; and you could say, using an American expression, that he’s nailed it.

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Went to Sweden, found Mississippi

The Anglo-American Experience will be a Swedish-American experience for the next week or so.

A mannequin wears one of Veronica's designs for Mississippi in the Visby shop.

A mannequin wears one of Veronica’s designs for Mississippi in the Visby shop.

A couple of days ago I got lost in an unfamiliar city and stumbled across a shop called Mississippi.  That might not have been too surprising, except that I’m on an island in the Baltic.

I’ve lucked into 10 days of vacation (UK: holiday) in the World Heritage town of Visby, on Gotland, Sweden’s largest island.  Vikings lived here in the 12th century, it was a hub of international trade through the middle ages, and today Visby is the best-preserved of the fortified trading cities of Northern Europe, full of medieval stone buildings and surrounded by a 13th century city wall.

Peach-coloured summer dresses, which the English would call frocks.

Peach-coloured summer dresses, which the English would call frocks.

Inside that wall—all 3.6 kilometres, or about 2 ¼ miles of it, largely intact—lots of trading goes on to this day.  Pedestrians and (a few) cars share stone-paved streets lined with any number of boutiques and shops, with many of the shops selling hand-made goods you won’t find elsewhere.  Lots of these only open seasonally, because the population burgeons in the summer as Scandinavians come here for the beaches and cruise ships stop in, until it all culminates in an 8-day festival called Medieval Week, with jesters and jousting and—well, if this were a tourist brochure, I’d have to come up with a third item beginning with J, jollity or some such, but as this is a blog about finding Mississippi in the Baltic, I’d better get back to the point.

Staffan himself, in front of some of the merchandise at Mississippi

Staffan himself, in front of some of the merchandise at Mississippi

I went back to the Mississippi boutique today—on purpose this time—and spoke to Staffan, one of the proprietors, who had only opened for the season a couple of days before.  He was suffering in the cold, having just arrived from Bali; he and his wife, Veronica, designer of their clothing lines, live in Indonesia in the winters and have a second shop there.

They’ve been in business over 25 years, and never intended to call the place Mississippi at all.  Veronica’s mother came from Mississippi, and Veronica holds a US passport, though she’s never been there.  Staffan told me how, when they were first opening the shop, they were on the phone (presumably to some official in charge of registering new businesses) and found that the name they’d planned on using wasn’t available, so they had to come up with something else, right there and then, before they even hung up the phone.  Mississippi simply came to mind; Mississippi it has been ever since, although they’ve played around with other names, including Mrs. Hippy (say it out loud and you’ll get the connection), which I rather like.

Dresses in the doorway of the shop

Dresses in the doorway of the shop

I loved their clothing, though they don’t make it in a size for the likes of me, and I have to admit I’m a bit too old for the styles; Mississippi’s creations are for younger Misses.  The items are so distinctive that customers can recognize each other; if they happen across someone wearing a similar sort of dress as they walk along in Stockholm, they’ll say “I see you’ve been to Visby!”

The shop itself -- if you hurry, you can get 50% off last year's styles!

The shop itself — if you hurry, you can get 50% off last year’s styles!

So Mississippi’s brand-new styles change hands inside the medieval city walls that have seen centuries of trading, and I sit here—I’m in the public library, which doubles as the university library—and write about it for you to read wherever you are.  This is globalization, I suppose, but in a good way.  If you get as far as Visby, stop in and do some Mississippi shopping.  Just remember to pack for the climate; this ain’t the bayou.  And if global warming keeps upsetting the weather patterns, you may need a cardigan over your beautiful summer dress from Mississippi.

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An English Christmas 4 (Revisited): Boxing Day

I’ve been reluctant to let go of Christmas this year; the tree is still up, the cards still on display, the string of Victorian-style paper decorations still tied along the banister rail.

It’s all got to come down soon, if only because the borough council’s tree recycling programme (US: program) will end and we could be stuck with an 8-foot Nordmann fir and no way to get rid of it.   One year when we missed the last tree collection day, we lopped off branches bit by bit and burned them in the fireplace, but had no hatchet to carve up the trunk, so for more days than I’d like to admit, until we had time to get to the ironmonger’s (US: hardware store) to buy some kind of axe, we had the bare upright trunk perched in the corner of the living room.  We called it the Christmas Stick.

Before I admit Christmas is over, then, I’ll re-run one more Christmas post from the sequence you’ve been reading recently, written a couple of years ago.  It’s about Boxing Day—the day after Christmas—which this year fell on a Wednesday, but back then—well, you can read it——

This is an unusual year: Boxing Day comes on Saturday, and English people are divided on how to handle that.

Boxing Day—the day after Christmas—is the day employers traditionally gave servants Christmas boxes containing presents or cash, and it’s still a public holiday. In big houses, the servants were on call all of Christmas day with all their usual work to do plus anything extra called for by the occasion, and Boxing Day was the servants’ day off, the day they celebrated.

A view of Box Hill, which is maintained by the National Trust. Get information on the Trust or on visiting Box Hill from one of the Featured Links on the right-hand side of this page.

A few years ago we had some visitors from the US who decided to spend the afternoon of Boxing Day taking a walk on, fittingly, Box Hill. If you’ve read Jane Austen’s Emma (or seen one of the films), you may remember that there’s a big picnic scene on Box Hill–which is less than 30 miles east of us. Jane Austen’s house at Chawton is less than 30 miles to the west, too; if you’re interested in English literature, one of the great things about living here is that with very little trouble, you can visit the country places associated with all kinds of authors—Jane Austen, George Bernard Shaw, Rudyard Kipling, Virginia Woolf, and more—not to mention the spot where Agatha Christie’s car was found when she temporarily disappeared in 1926, and the part of the Thames where Kenneth Grahame set The Wind in the Willows. And of course you can’t move in London without walking in the footsteps of more luminaries than you can count.

So our visitors set out for Box Hill, but found the day a bit breezier than they were equipped to handle. One lady headed back to sit in the warm car, but not before insisting that one of the gentlemen, who had no hat, take her hat, and that another gentleman, who had only a light jacket, take her coat. The third gentleman was better-equipped for the cold, but as he didn’t like breathing cold air, he’d worn a medical mask.

When they got back, the man in the girlish hat with fluffy balls on the ends of the cords tied under his chin said to the man in the medical mask and the man in the clearly feminine coat that he was surprised that British people who pass you on the walking trails don’t greet you the way people do back in the US. I suspect if he’d come upon three foreigners in similar get-ups in his home state, he might have been a bit reticent, too.

This year was milder, and we did go out for a walk—with our own hats and coats—though not to Box Hill, just around a pond on one of the nearby commons. We ran into lots of people happy to greet us and be greeted, most of them walking their dogs. (Those on horseback were past us and gone so fast that there wasn’t time to speak.) I don’t think it was just that the Christmas season had filled people with a glow towards their fellow human beings; I think you’d find the same friendliness there on any other Saturday, too.

But if Boxing Day comes on Saturday, where’s the fun in having a day off? Most people would probably have a free day on Saturday anyway. So some businesses are recognizing today as the holiday, some are closing on Monday, and most seem to be doing both, so that Christmas will stretch to a four-day weekend this year.

No bad thing that, especially for those of us who put on the Christmas dinners. We may not be servants anymore, but we’ve slaved in the kitchen and deserve that extra day off.

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An English Christmas 2 (Revisited): Mince Pies In Royal David’s City

Happy Christmas! Or if you’re American, Merry Christmas! This post first ran on Christmas Even 2010, but the ritual is the same…

When I lived in the US, Christmas always seemed to start just after Thanksgiving. Sure, there were Christmas displays up in some stores before that, but only to give people something to grumble about. We knew that it wasn’t open season on Christmas until Santa Claus showed up at the end of Macy’s parade.

Here in the UK there’s no national celebration in late November, so there’s no natural or definitive start to the Christmas season; it just creeps up on you. But there is, for many people, an accepted starting point for Christmas itself: at 3 p.m. on Christmas Eve when BBC radio broadcasts the Festival of Nine Lessons and Carols from the chapel of King’s College in Cambridge. (I’ve put a link to it on the right-hand side of this page under Featured Links; the BBC will leave the recording there for people to listen to only for the next seven days, so if you’re interested, don’t wait.)

I listen every year, maybe because singing in a choir is the closest I ever got to playing a team sport, I still love the sound and remember what it feels like to perform, and I don’t have that many opportunities during the rest of the year to hear a really good choir. They usually do some of the medieval carols that I love anyway, but that are especially satisfying when sung in a medieval mini-cathedral like this “chapel”, built over a hundred years from the middle of the 15th century to the middle of the 16th. Why start Christmas at King’s? It’s traditional. But if you need more of a reason, you might be interested to find that King’s College is officially named “The King’s College of Our Lady and St Nicholas in Cambridge”, so there’s a pretty good connection to Christmas built in.

Some of the carols everybody knows here have the same words that Americans sing, but set to different tunes, and the British also have lots of Christmas carols I never heard until I moved here. Did any American readers out there grow up singing “Jesus Christ, the Apple Tree”? One of these new-to-me carols, “Once In Royal David’s City”, sung by one choirboy alone, always starts the service. As I understand it, two or three choirboys have practiced the part, but no one knows who will do the solo until everyone is in place, the director raises his hands, and finally indicates who is to sing. That, I’m told, is supposed to stop them from being so nervous.

Right. If I were one of them, the suspense would crank me up to peaks of anxiety I can scarcely imagine. It gives me palpitations just to think about it.

They also include modern carols, some of them commissioned for this Festival, either this year or in previous years; maybe these will grow on me, but they seem dark and muddy. Okay, the words may sound silly, but give me “Ding Dong Merrily On High” any time. Some of the modern compositions seem to have been stripped of any scrap of the joy and goodwill that make some of the traditional songs such a treat.

And speaking of treats—I was in the kitchen making my mince pies while I listened. That’s the second of the three English Christmas desserts. The British serve these little tarts with brandy butter, but that’s going too far for me; I want to taste the joy and goodwill of the brandy and orange zest, sharp and clear, and not muddy them up with cream.

So bring on Christmas. I’ve got the mince pies made and I’ve heard the little boy start the carols; I’m ready.

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An Announcement, Enhanced with Autumn Colour

Looking across a vineyard toward the main building at Denbies in the summer; you could almost be in the Napa Valley (but it’s a little *too* green). Photo courtesy of Wikimedia Commons

Please excuse me for delaying the promised post on the William Blake/Sir Hubert Parry song “Jerusalem” by posting this announcement instead: As of last week, I’m writing a column  for the Guildford Dragon NEWS, Guildford’s independent online news(not-actually-on)paper.

Vine leaves changing colour at Denbies.

I’ll be looking in those columns at the same sorts of things I write about here, except that I’ll focus on people, places and events in the Borough of Guildford, with Guildfordians as the target readers.

The publisher has seen fit to call the column “The Eagle Eye” (not my choice; feel free to suggest something better!), and we may soon have a logo, drawn to resemble a pub sign.  The Guildford Dragon is interested in pubs—but who isn’t? I’ll probably write a certain amount about local pubs, though at the rate they’re closing I’d better hurry.  (There are none left in the village where I live, three having closed since we moved here–not that I’m implying causality there, you understand.)

More vineyards at Denbies. Photo courtesy of Wikimedia Commons.

The first column went up last week, though readers here might recognize most of that offering as one I made earlier (as the chefs on telly/TV say); it’s a reprise of my article on the civic procession for the service for the mayor after last May’s Mayor Making.  (Bet you can’t say that three times fast.)

After this, there should be a new Eagle Eye column appearing in the third week of every month.

More Fal–er, Autumn colour at Denbies

Now, the one rule of blogging is Don’t Be Boring, so in an effort to give you something more interesting for your time spent here today, I’ve added some photos of Denbies,  a winery in the eastern part of Surrey.  Vineyards in Britain?  Absolutely!  The first ones were planted by the Romans.  Look for a post on the Denbies winery, probably in the new year.

Main building at Denbies Wine Estate. The light-coloured tower is above the main entrance, but the wing in the foreground, painted black, houses the Surrey Performing Arts Library, which was the reason for my trip.

The winery building houses, for reasons unclear to me, the Surrey Performing Arts Library, a branch of the public library, and I was there to do research on the composer of “Jerusalem”.  With the vine leaves turning colour on a sunny autumn (Brits don’t call it “fall”) day, it was glorious; you see, I hope, the sacrifices I make to research these posts.

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A Last Word about Isaac Newton and a First Word about William Blake

Sorry that there hasn’t been a post here for a couple of weeks; sometimes real-world deadlines intrude. I hope to get back on schedule soon.

A peek through the main gate of the British Library in London, where you can just make out the colossal statue of Newton, hunched over, measuring with a compass, or as the British would say, with compasses.

Although I’ve never posted about the British Library in London, it’s one of my favorite places over here. Heck, it’s one of my favorite places on the planet—and while that’s mainly because of the books, manuscripts, maps, and more that they keep inside, there’s also the sculpture outside to consider.

The first thing you see if you enter through the main gate is a statue of Isaac Newton, by artist Edouardo Paolozzi. With a name like that, of course he must be…Scottish. He came from the north side of Edinburgh, but perhaps, given that his parents were Italian, he felt at home in the pedestrian court enclosed by the wings of the British Library, as it’s officially called the piazza.

Paolozzi’s Newton

Paolozzi’s bronze version of Newton is almost 4 metres tall—that’s about 13 feet, and that’s to the top of the curve of its back.  If that hunched-over giant stood up, it would tower over the rest of us. That’s common enough for public statues, but perhaps especially appropriate for Newton, who said that if he saw farther than others had seen, it was because he stood on the shoulders of giants—those scientists and mathematicians who went before—and Einstein presumably stood on the metaphorical shoulders of the giant Newton in his turn.

Blake’s Newton

But the giant Newton in the Library’s piazza isn’t standing at all, nor is it looking out at the world, because Paolozzi based his design on William Blake’s painting of Newton. While Blake would have appreciated the monumental size of the statue, I’m guessing that’s about the only thing he’d approve about the piece. He wouldn’t have found Newton a fit subject for a national institution dedicated to human thought, life, art, philosophy, and more. The Blake engraving that inspired Paolozzi is actually titled Newton: Personification of Man Limited by Reason.

Blake’s The Spiritual Form of Nelson Leading Leviathan

I say he’d approve of the scale of the bronze Newton because Blake lamented, back in the earliest 19th century, that huge civic artworks had fallen out of fashion, because he liked the idea of getting to paint 100-foot-high versions of his works The Spiritual Form of Pitt and The Spiritual Form of Nelson. That would be something like an American artist today saying it’s too bad the country has lost its taste for what Blake called “paintings on a scale that is suitable to the grandeur of the nation” and proposing 100-foot-high interpretations of The Spiritual Form of Obama and The Spiritual Form of General Petraeus. Even in 1805, I think that was probably seriously weird.

Blake was a poet, a painter, a visionary, an illustrator, a prophet, an engraver, and possibly a madman. He began seeing visions at age 9 and saw them all his life, so you can see how, since he thought these were glimpses of something eternal, divine, and true, he’d think that using reason might but a damper on things.

A page from Blake’s America: A Prophecy, typical in that he printed the page from his own engraving, and colored the illustrations by hand.

Blake eventually worked out an entire mythology involving a pantheon of figures you might call demigods, as an illustration of his ideas of the divine and eternal, and of mankind’s place within the grand scheme of things.  He presented his creations in epic poems as well as in artwork, usually in illuminated books which he engraved and then, helped by his wife, painted on the colors by hand.

In this mythology, mankind’s long-ago fall from grace was a fall out of eternity and into time and space, which fractured Albion—the Cosmic man and, while we’re at it, the personification of England—into four parts. Now, here it really gets messy, because everything is overloaded, carrying more than one meaning. But we only need to look at one of the four: Urizen.

The title page of The Book of Urizen. Behind him there’s a tree which has bent over and re-rooted, to grow again. If you read the previous post, you might recognize that as something you’ve heard of before…

Urizen is a creator god (except that he isn’t) and maps in some ways to the Biblical Jehovan (except that he doesn’t; I told you Blake was seriously weird). Urizen is man’s reason, without the stabilizing balance of the three other qualities Blake found essential—emotion, imagination, and instinct—and is an oppressor, an enslaver, of humanity.  His name is a pun on horizon, indicating that his vision is limited, and on your reason.

Urizen as The Ancient of Days

Blake’s painting of Newton casts him as Urizen (compare the illustrations), and shows him measuring and calculating, having turned his back on the beauty and variety of nature as shown in colors on what looks to me like lichen-encrusted rock. Blake despised Newton’s approach; 100 years or so after Newton, when rest of the world venerated Newton in large part for his experiments with light and vision, Blake said Newton brought us night rather than light, and that Newton’s single vision didn’t compare to Blake’s own fourfold vision. Newton might have stood on the shoulders of giants, but Blake suggested that Newton saw so little from his perch that he might as well have been asleep. He lumped Newton, materialist philosopher John Locke, and Francis “Father of Empiricism” Bacon together as what has been called an infernal trinity. They were to Blake ‘the three great teachers of atheism, or Satan’s Doctrine’, though Newton was not an atheist at all, but quite the contrary; he thought the precision and mechanics of the universe was evidence of the Creator.

In this view of the sculpture, the bolts/pivots for the joints show up a bit better–look at his shoulder, and at his ankle

Paolozzi took Blake’s view of Newton as advocating a mechanistic universe and ran with it, making his Newton out of metal and making the features of his body segmented, idealized, and symmetrical; removing the colors, the lichens and the rock entirely; seating his figure on some kind of rectilinear constructed box; and even showing the bolts that hold the body together, the pivots of the joints, making sure we can see the linear divisions between the pieces of the head, suggesting Newton’s head was made of precisely manufactured units. Paolozzi might as well have said “Yeah, Newton gave us a measured, understandable, reasonable, quantifiable view of the world—and isn’t it great?”

In any case, Paolozzi’s Newton provides the perfect segue from the previous posts on Newton to the next posts, which will involve Blake—because it was Blake who wrote the lines of the hymn “Jerusalem” that one little choirboy sang near the beginning of the opening ceremony of the Olympics, and I figured there must have been lots of Americans who, if they understood what the song was about at all, didn’t understand why the English apparently chose a piece about Jerusalem as a patriotic song. It’s just one more basic fact of British life in the collection of elements of Britishness set out in that ceremony, and one I plan to tell you about next time.

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